5/12/2008

Jump into






Osho
Satyam Shivam Sundram
Truth Godliness Beauty
Jump into life’s deepest waters




WHY SUCH AN ENORMOUS FEAR OF ALLOWING MYSELF TO BE REALLY ALIVE?

The fear of allowing oneself to be really alive is not the fear of life; it is a very camouflaged fear of death. If you are alive, you will die. Death is the culmination of life. The fear of life is not basically fear of life; it is basically fear of what life will bring ultimately to you, and that is death.

But mind is very clever at camouflaging things and giving you directions which are not right. They take you away from the actuality of your inner subjective experience. How can one be afraid of life? for what?

All that we have got is life: all the music, all the dance and all the songs and all the beauty and all the search for truth belong to a man who is fully alive. What fear can there be about life?

Life has to be lived so totally and so intensely that you can squeeze each minute’s juice without leaving a single drop behind. Only such a life is authentic, great; only such a life does not come to an end in death, but comes at the moment of death to the door of the divine.

Death is a complex experience, just as life is – perhaps more complex, because life is spread over seventy or eighty years and death is condensed in a single moment, a split second. Because of its condensedness... it is a miracle. Those who have not lived only experience death. And those who have lived fully experience an eternal release into the universal consciousness; for them death becomes a friend.

But begin with life, because life is the beginning and death is the end. If you are afraid from the very beginning you will not give nourishment to the rosebush, you will not give water, you will not care about it. You will not come close to it, you will not shower your love on it. The rosebush is going to shrink, is going to die without roses, without ever having experienced any beautiful moment of blissfulness or ecstasy. It will simply shrink; it will never know that it had the possibility of tremendous beauty and the fragrance of roses. Naturally the state of such a rosebush is very depressive. It will die in anguish without knowing what life was. It will know only death.

This is a simple logic to be remembered: if you don’t live life fully, you will have to experience death. And death is just a fiction, but you will feel it almost more than your actual life, because you have never lived life – it has been just a faint, faraway echo; at the most it consisted of the same stuff as dreams are made of. But you have never lived actually, you have never loved actually, you have never danced actually. You have always stayed away from wherever there was a life source to rejuvenate you; you did not allow yourself the rejuvenation, you did not allow life to visit you and to be your guest.

5/02/2008

Unknown territories


Osho
Satyam Shivam Sundram
Truth Godliness Beauty

Unknown territories, unexplored skies

Music is not something biological; it is not something concerned with your chemistry or physiology. Music is not even of the mind. Music is something... a space between mind and meditation. It is one of the most mysterious phenomena. To conceive of it in intellectual terms is almost impossible
for the simple reason that it is beyond mind – but it is not yet meditation.

Music can become meditation – it has both possibilities – it can come down and become mind. Then you are only a technician, not a musician. You may be playing perfectly on the instruments, without any faults, but still you are only a technician. You know the technique perfectly and entirely, but it is not your heart and it is not your being; it is just your knowledge.

Music can go higher and further away from mind, and then it starts becoming closer and closer to peace and silence. One is a musician only when he understands the sound of silence, and one who understands the sound of silence is capable of creating sounds which are synonymous with silence.
That is the most miraculous thing. Then the musician has come to his full flowering.

Beyond this music starts the world of meditation.

In fact, as far as the East is concerned, the ancientmost sources say one thing definitively about music, and that is that it was born out of meditation. People who went deep into meditation enjoyed the silence of it, loved the peace that seems to be unfathomable. They wanted to convey that you are far more than you think you are, far bigger than you think you are; you are as big as the whole universe – but how to say it? Words are very poor philosophical concepts, almost like beggars.

The ancient meditators tried to find some way to convey their peace, their silence, their joy, and those were the people who discovered music. Music is a by-product of meditation.

But you can go both ways: either from meditation you can come to music as an expression, a creative expression of your experience; or you can go from music to meditation, because music brings you closer and closer to meditation as music becomes immense silence, sounds merging into silence, sounds creating deeper silences than you have ever known. Then you are very close to the boundary of your meditation.

Superconsciousness is the highest point of your life energy. When music reaches superconsciousness, it provokes within you unknown territories, unexplored skies. It can become a door to the divine. Just as it can become a door to the animal on the lowest, on the highest it can become the door to the divine.

Man is only a bridge to be passed. Man is only a bridge between the animal and the divine. You should not make your house on the bridge – bridges are not for making houses on – you have to pass on, from this shore to that further shore.